Mystery Method
The Mystery Method is a method of seduction, first popularized by Erik Von Markovik a.k.a "Mystery". The system was initially outlined in posts on the newsgroup alt.seduction.fast. Since October 2006, Mystery is no longer part of the Mystery Method's website, and he has launched his own company. Mystery is responsible for coining a lot of terminology now used in the world of seduction: such as "3 second rule", "set", "peacocking", "indicator of interest", "indicator of disinterest", "last minute resistance", "routine", "neg hits", "canned material", etc. The Mystery Method is now marketed online, via books, DVD sets, and most notably, live seminars and coaching with various instructors, including Markovik himself.
Monday, October 29, 2007
Mystery Method
Sunday, October 14, 2007
Pick Up Artist VH1 -Style's Eliciting Values Routine
Style's Eliciting Values Routine
"What is the experience you most enjoy doing?" (She'll say dancing or being with family or something) Alternate wording: "If you had to pick one experience that makes life worth living...what would it be?"
"What is the ideal scenario of you doing that thing? Describe it."
"So picturing that right now, how do you feel.. .What emotions?"
"So really then, while I was asking you this, you smiled... and yeah it's kind of because I'm being a bit funny or weird or whatever... but also, it's because you could kind of feel that emotion right now, while we were talking about it... can you feel it., blah blah blah"
"So really then, even though your favorite experience is dancing, your core value is fun and excitement, and the way you feel those emotions in your body... So what's most important to you is the experience of fun and excitement, and whatever leads you to that is most important... blah blah"
"Ok, so in four minutes we've fulfilled your quest for core value. You can the now."
In other words:
1. Favorite activity
2. Description of her favorite activity in an ideal setting
3. What emotion she gets while she pictures this
4. Show her that she experienced the emotion while picturing it
5. Show her that what she really wants is not so much the activity (although it's important) but the emotional fulfillment she gets from it.
6. Now she can the happy ©
"What is the experience you most enjoy doing?" (She'll say dancing or being with family or something) Alternate wording: "If you had to pick one experience that makes life worth living...what would it be?"
"What is the ideal scenario of you doing that thing? Describe it."
"So picturing that right now, how do you feel.. .What emotions?"
"So really then, while I was asking you this, you smiled... and yeah it's kind of because I'm being a bit funny or weird or whatever... but also, it's because you could kind of feel that emotion right now, while we were talking about it... can you feel it., blah blah blah"
"So really then, even though your favorite experience is dancing, your core value is fun and excitement, and the way you feel those emotions in your body... So what's most important to you is the experience of fun and excitement, and whatever leads you to that is most important... blah blah"
"Ok, so in four minutes we've fulfilled your quest for core value. You can the now."
In other words:
1. Favorite activity
2. Description of her favorite activity in an ideal setting
3. What emotion she gets while she pictures this
4. Show her that she experienced the emotion while picturing it
5. Show her that what she really wants is not so much the activity (although it's important) but the emotional fulfillment she gets from it.
6. Now she can the happy ©
Monday, October 8, 2007
Pick
Comfort Building Locations
The location in which you first meet a woman is not necessarily favorable to building comfort. The music may be too loud for lengthy comfort building dialog. The crowd may be too congested. Your romantic interest's protective friends, current boyfriend, jealous ex-boyfriend or family members may be present. You or she may also lack the immediate time to spend 7 hours building enough comfort with each other.
If the meeting location does not allow you the time nor afford a comfortable setting to sit with her and build comfort, you must move her from the meeting location to a comfort location.
All comfort building locations are marked by more quiet and secluded (though often still public) settings where you, your romantic interest and her friends (as well as your friends) may share in lengthy dialogue.
The location in which you first meet a woman is not necessarily favorable to building comfort. The music may be too loud for lengthy comfort building dialog. The crowd may be too congested. Your romantic interest's protective friends, current boyfriend, jealous ex-boyfriend or family members may be present. You or she may also lack the immediate time to spend 7 hours building enough comfort with each other.
If the meeting location does not allow you the time nor afford a comfortable setting to sit with her and build comfort, you must move her from the meeting location to a comfort location.
All comfort building locations are marked by more quiet and secluded (though often still public) settings where you, your romantic interest and her friends (as well as your friends) may share in lengthy dialogue.
Thursday, October 4, 2007
Pick Up Artist VH1 - Statements of Interest
Statements of Interest (SOI)
Similar to an indicator of interest, which is usually a subtle cue of some sort, a statement of interest is an explicit verbal statement that makes clear your growing interest in her. For example:
• "You know, your first impression was kind of so-so.. .but now that I get to know you, you are so incredible..."
• Buy her a drink.
• "When we met, you just seemed like another one of those California blondie girls. But since I get to know you, I actually feel nervous around you."
• "OMG, I can't believe this. Like. Can you believe we met at a bar?"
• "We're going to sit down over there, would you like to join us?"
• "You know what; you are actually pretty cool, I'm curious about you."
• "I have to hang out with you again sometime. -> Can you cook"
A well-timed SOI can work wonders.
Statements of Interest
Similar to an indicator of interest, which is usually a subtle cue of some sort, a statement of interest is an explicit verbal statement that makes clear your growing interest in her. For example:
• "You know, your first impression was kind of so-so.. .but now that I get to know you, you are so incredible..."
• Buy her a drink.
• "When we met, you just seemed like another one of those California blondie girls. But since I get to know you, I actually feel nervous around you."
• "OMG, I can't believe this. Like. Can you believe we met at a bar?"
• "We're going to sit down over there, would you like to join us?"
• "You know what; you are actually pretty cool, I'm curious about you."
• "I have to hang out with you again sometime. -> Can you cook"
A well-timed SOI can work wonders.
Statements of Interest
Sunday, September 30, 2007
Pick Up Artist VH1 - Takeaways
Takeaways
Practice timing your backturns and other indicators of disinterest to coincide with sparks of attraction. Just at the moment when she feels most emotionally stimulated or in need of validation, you turn away slightly, causing her to lean in a little more. "Wait, what you were saying about that little dog?" It takes practice to get the timing down. Remember, the attraction is only a tool to be used as bait.
When she pulls you back, you intermittently reward her with IOIs. Isn't it interesting that a takeaway is best done just after a DHV, when the target has just experienced a spike in attraction? That is the time that she is most likely to chase to get you back. Similarly, it's best to give an IOD just before escalating, since it makes it more likely that she will accept the escalation. For example, if you turn your back on her just before you kiss her, she will be more likely to accept the kiss. These sorts of tilings must be experimented with in the field in order to be properly calibrated. Incidentally, this takeaway aspect of A3 corresponds to the third law of the Tao of Steve: Be gone.
This is a useful time to use sniper negs such as "eye boogers," "you spit on me," "here's a napkin," etc. Remember, you don't get blamed for the eye booger, God does. You aren't trying to make her feel embarrassed, it just happened. It is at this time that she wants to regain your respect, and she wants to feel good again, so when you make your move, she won't get all cocky and pull away. She'll accept it because she felt embarrassed and got all quiet. Of course, you don't want to reward her for being a goof, because that would be incongruent So you amp up her embarrassment by acting disinterested for a bit, then you play nice guy and say, "Don't be embarrassed for being human".. .then you stop being into the conversation for a bit. In that state of mind, she is extremely susceptible to escalation.
Practice timing your backturns and other indicators of disinterest to coincide with sparks of attraction. Just at the moment when she feels most emotionally stimulated or in need of validation, you turn away slightly, causing her to lean in a little more. "Wait, what you were saying about that little dog?" It takes practice to get the timing down. Remember, the attraction is only a tool to be used as bait.
When she pulls you back, you intermittently reward her with IOIs. Isn't it interesting that a takeaway is best done just after a DHV, when the target has just experienced a spike in attraction? That is the time that she is most likely to chase to get you back. Similarly, it's best to give an IOD just before escalating, since it makes it more likely that she will accept the escalation. For example, if you turn your back on her just before you kiss her, she will be more likely to accept the kiss. These sorts of tilings must be experimented with in the field in order to be properly calibrated. Incidentally, this takeaway aspect of A3 corresponds to the third law of the Tao of Steve: Be gone.
This is a useful time to use sniper negs such as "eye boogers," "you spit on me," "here's a napkin," etc. Remember, you don't get blamed for the eye booger, God does. You aren't trying to make her feel embarrassed, it just happened. It is at this time that she wants to regain your respect, and she wants to feel good again, so when you make your move, she won't get all cocky and pull away. She'll accept it because she felt embarrassed and got all quiet. Of course, you don't want to reward her for being a goof, because that would be incongruent So you amp up her embarrassment by acting disinterested for a bit, then you play nice guy and say, "Don't be embarrassed for being human".. .then you stop being into the conversation for a bit. In that state of mind, she is extremely susceptible to escalation.
Sunday, September 23, 2007
Pickup Artist VH1 - Demonstration of Higher Value
Demonstration of Higher Value (DHV)
Anything you can do that conveys higher survival and replication value is a DHV. For example, if you open a set and you already have two girls with you, you have demonstrated pre-selection, which is a DHV. When girls see that other girls have pre-selected you, they feel more attracted to you as a result.
If a woman discovers that you have a lot of money, it is a DHV. She will find you more attractive, all other factors being the same. But if she perceives that you are trying to impress her with your money, she will then lose attraction. This is because only lower-value people try to impress — such behavior is known as a demonstration of LOWER value, or DLV. If you are trying to impress, you must be of lower status and thus unattractive.
If a woman sees that you have a lot of social proof from gaming the room, she will feel more attracted to you, because social proof is a DHV. If, however, she sees that you are socially unaware and inept, then it is a DLV. When you DLV, it lowers her perception of your S and R value, which makes her feel emotionally less attracted.
Telling stories that are fun, interesting, and emotionally relevant, demonstrates social skill, which is a DHV. A story can also be structured to convey specific characteristics in the subtext, allowing you to surreptitiously flip attraction switches.
Negging is also a DHV, because only a high value guy would talk to her like that, and seem sincere. You must already have girls if you talk in such a way.
Anything you can do that conveys higher survival and replication value is a DHV. For example, if you open a set and you already have two girls with you, you have demonstrated pre-selection, which is a DHV. When girls see that other girls have pre-selected you, they feel more attracted to you as a result.
If a woman discovers that you have a lot of money, it is a DHV. She will find you more attractive, all other factors being the same. But if she perceives that you are trying to impress her with your money, she will then lose attraction. This is because only lower-value people try to impress — such behavior is known as a demonstration of LOWER value, or DLV. If you are trying to impress, you must be of lower status and thus unattractive.
If a woman sees that you have a lot of social proof from gaming the room, she will feel more attracted to you, because social proof is a DHV. If, however, she sees that you are socially unaware and inept, then it is a DLV. When you DLV, it lowers her perception of your S and R value, which makes her feel emotionally less attracted.
Telling stories that are fun, interesting, and emotionally relevant, demonstrates social skill, which is a DHV. A story can also be structured to convey specific characteristics in the subtext, allowing you to surreptitiously flip attraction switches.
Negging is also a DHV, because only a high value guy would talk to her like that, and seem sincere. You must already have girls if you talk in such a way.
Thursday, September 20, 2007
Pick Up Artist Vh1 - The 'Two Girls Fighting Outside' Opener
The 'Two Girls Fighting Outside' Opener
Mystery: Oh my god did you guys see that girl fight outside?
Girls: (whatever - Cut them off after they talk for a bit)
Mystery: They were totally fighting over this funny guy. Have you guys ever fought over a guy?"
Girls: (whatever - Cut them off)
Mystery: It was a short little guy named George. Sort of white trash, in a wife beater.. .These girls were pulling each others hair.. .one was pounding the others
head into the ground.. .One of her boobs popped out Normally I'm all for
seeing boobs, but this was a gross, white-trash boob."
(Make a grossed-out facial expression and transition to your next routine.)
Mystery: Oh my god did you guys see that girl fight outside?
Girls: (whatever - Cut them off after they talk for a bit)
Mystery: They were totally fighting over this funny guy. Have you guys ever fought over a guy?"
Girls: (whatever - Cut them off)
Mystery: It was a short little guy named George. Sort of white trash, in a wife beater.. .These girls were pulling each others hair.. .one was pounding the others
head into the ground.. .One of her boobs popped out Normally I'm all for
seeing boobs, but this was a gross, white-trash boob."
(Make a grossed-out facial expression and transition to your next routine.)
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